I made this for something else that I’ve been working on for months. However, it’s taking longer than I thought to finish so I wanted to give you a preview (And also, I needed a break from writing. Don’t tell anyone.)! Here’s a little cartoony thing I drew. It’s not a good joke unless you’re in my head, but that’s not recommended. I’m aware that it doesn’t make sense as it is, but that’s why it’s only a draft. If you do get the joke, you deserve brownies!
Anyway, thanks for indulging me as always. Happy doodling!
Perhaps one of the most difficult elements of any piece of writing is the tone. Then again shouldn’t it be the easiest if you know your topic well enough? Let’s say you’re writing about someone dying and the effect it has on other characters. Surely, the tone would be more serious than funny, more melancholy than cheerful. Not so, I say. I’ve discovered during the process of writing two of my novels that tone can be incredibly easy and a lot more elusive than we would think.
When I sat down to write it, my novel Dissonance had its tone in-tact. It was obvious, easy, and I was able to carry it through the length of the novel without once thinking I had it wrong. The rewrite didn’t change it either; it merely refined what I already had. It was a NaNoWriMo novel as was Glitch. I, on the other hand, cannot settle on a tone for Glitch (2015’s NaNoWriMo novel) even though they both have the same premise: something absolutely terrible happens to a loved one of the protagonist, who then has to deal with the aftermath. With about five pages left to read, I don’t know what it is, or should be, what it’s trying to say, if anything at all, or even who the main character should be. I’ve never had this much trouble pinning down the tone of anything I’ve written, not even my Bay Window story from when I was 10 or 11.
There were a few times while reading Glitch that I thought, “Ah! There it is. That’s what I’m going for!” to only have it flipped on its head a few pages later. I wonder if I’ll be able to figure it out by the end of those five pages. Or if, as seems most likely, I’ll finish confused, set it aside for months, and pray for a miracle some day.
In lieu of playing the waiting game, I’m going to try one or all of these:
Turn the melancholy into laugh-out-loud funny
Make my antagonist the hero
Make a secondary character the lens through which the reader sees everything
Subvert all assumptions I had for the plot and do the exact opposite
If, after doing all of those, I still haven’t determined the tone, I’ll set it aside and wait.
It’s Doodle Monday! That’s a new thing and will only happen when I have a doodle. This is a man. He has no back story. Give him one if you’d like. I’m really proud of myself for making him smile instead of frown. I must be in a good mood today. Also, I stopped drawing because I have the worst trouble with necks and shoulders, so he kind of just peters out. Maybe I’ll manage to conquer that in the next ten years.
On to business. I’m making a sketchbook with bookboard and handmade book cloth. Since I’m not an artist, I’d like your opinion about the inside. Please answer my questions if you’re so inclined to be helpful today!
Smooth paper? Or do you prefer a little tooth?
What kind of binding? Exposed spine like coptic stitch? Hardback? Lies open flat?
How many pages?
And anything else you think of.
P.S. I’ll even show you the finished project when it’s done.